A vacant 37 acre former barracks providing access to 33 unique and versatile locations ranging in period from the 18th through to the 20th century. The entire site is connected via a vast, two mile long network of secure and fully controllable roads. With ample on site parking there is also plenty of space to fully service any filming activity within the boundaries of the facility.
A vacant 37 acre former barracks providing access to 33 unique and versatile locations ranging in period from the 18th through to the 20th century. The entire site is connected via a vast, two mile long network of secure and fully controllable roads. With ample on site parking there is also plenty of space to fully service any filming activity within the boundaries of the facility.
This Grade II listed house is the family home of George Marsh, the architect behind one of London’s first, pioneering sky scrapers, Centre Point. He designed this three-storey house in 1964. The distinctive roof, a pair of hyperbolic parabaloids supported at 3 points, and the original interior reflect all the fabulous features that epitomise the 1960s.
The open plan kitchen and living areas epitomise the revolutionary design principles that defined 1960s home interiors. With floor to ceiling glass windows and balconies spanning the full length of the building, it gives spectacular views of the garden and seamlessly blends the indoor and outdoor spaces. The living area, framed by the double-height windows, features a distinctive floor of white Carrara marble slips set in black terrazzo and is complimented with original 1960s furnishings, the bold colours and vibrant plastics reflecting the optimistic design ideals of the era.
Upstairs there is an open-plan bathroom with an interior balcony that overlooks the first floor, creating a visually captivating layout. The bedroom features a curved pine ceiling and opens up to a balcony at treetop level.
This house stands as a living time capsule, preserving the spirit of the 1960s in all its cinematic glory. It encapsulates an era of modernism, boldness and artistic revolution with every frame set in this architectural masterpiece.
This Grade II listed house is the family home of George Marsh, the architect behind one of London’s first, pioneering sky scrapers, Centre Point. He designed this three-storey house in 1964. The distinctive roof, a pair of hyperbolic parabaloids supported at 3 points, and the original interior reflect all the fabulous features that epitomise the 1960s.
The open plan kitchen and living areas epitomise the revolutionary design principles that defined 1960s home interiors. With floor to ceiling glass windows and balconies spanning the full length of the building, it gives spectacular views of the garden and seamlessly blends the indoor and outdoor spaces. The living area, framed by the double-height windows, features a distinctive floor of white Carrara marble slips set in black terrazzo and is complimented with original 1960s furnishings, the bold colours and vibrant plastics reflecting the optimistic design ideals of the era.
Upstairs there is an open-plan bathroom with an interior balcony that overlooks the first floor, creating a visually captivating layout. The bedroom features a curved pine ceiling and opens up to a balcony at treetop level.
This house stands as a living time capsule, preserving the spirit of the 1960s in all its cinematic glory. It encapsulates an era of modernism, boldness and artistic revolution with every frame set in this architectural masterpiece.
The iconic Grade II* listed Ravenscourt Park Hospital sits on a 3.9 acre Hammersmith site, dating back to 1931.
A vacant, 167,000 sqft building offering a versatile set of aesthetics and backdrops, linked together by Art Deco architecture, crittall windows, endless corridors, hospital rooms, wards, boardrooms and terraces. The incredible, triple height entrance hall sits proudly behind statues of Healing & Charity, the grandeur of which could work for many filming interpretations.
The iconic Grade II* listed Ravenscourt Park Hospital sits on a 3.9 acre Hammersmith site, dating back to 1931.
A vacant, 167,000 sqft building offering a versatile set of aesthetics and backdrops, linked together by Art Deco architecture, crittall windows, endless corridors, hospital rooms, wards, boardrooms and terraces. The incredible, triple height entrance hall sits proudly behind statues of Healing & Charity, the grandeur of which could work for many filming interpretations.
A fabulously authentic private members club which has been part of the local community for nearly a century. Offering a number of vacant entertainment spaces , traditional snooker hall, a pool table and dart boards. Easy to access by public transport or by car with a private car park.
A fabulously authentic private members club which has been part of the local community for nearly a century. Offering a number of vacant entertainment spaces , traditional snooker hall, a pool table and dart boards. Easy to access by public transport or by car with a private car park.
Southern Tower offers a versatile filming location, seamlessly blending contemporary aesthetics with practicality. This 17-storey office building not only presents a modern design but also a blank canvas for filming and photographic shoots.
Featuring numerous vacant floors with expansive, open-plan layouts, Southern Tower has the possibility of complete floor takeovers. The generous space can accommodate a wide range of filming opportunities and production activities, with the flexibility to adapt to specific project requirements. It would be an ideal backdrop for a bustling Police Station.
The premises are safeguarded by 24/7 security measures and offer 24/7 accessibility if required so can night shoots can be considered.
Conveniently located just 3 minutes from East Croydon station there are fast transport links into Central London. It is 14 minutes into Victoria and 12 minutes into London Bridge.
Southern Tower offers a versatile filming location, seamlessly blending contemporary aesthetics with practicality. This 17-storey office building not only presents a modern design but also a blank canvas for filming and photographic shoots.
Featuring numerous vacant floors with expansive, open-plan layouts, Southern Tower has the possibility of complete floor takeovers. The generous space can accommodate a wide range of filming opportunities and production activities, with the flexibility to adapt to specific project requirements. It would be an ideal backdrop for a bustling Police Station.
The premises are safeguarded by 24/7 security measures and offer 24/7 accessibility if required so can night shoots can be considered.
Conveniently located just 3 minutes from East Croydon station there are fast transport links into Central London. It is 14 minutes into Victoria and 12 minutes into London Bridge.